doktorjohn.com

February 2017 New Dark Age

Filed under: Events,Goth Stuff,New Dark Age Monthly — doktorjohn February 7, 2017 @ 1:38 am

February 2017 New Dark Age

Friday the 13th of January saw two noteworthy scene events in NYC. Christian Dryden’s recently reorganized band, the Ritualists performed a set of nine or ten original pieces plus a George Michael cover, “Father Figure,” at the Delancey under the Williamsburg Bridge. They opened with pop-sounding “Say Yes” off their EP, then moved into a piece with a Led Zeppelin-meets-Echo & the Bunnymen feel, and a third song which featured Dryden’s spectacular, soaring vocals over a tribal beat.

Christian Dryden leading The Ritualists


The set featured a variety of styles to please a variety of musical tastes including psychedelic, Brit-pop and Post-Punk with New Wave and pop hooks thrown in. They introduced a new piece to their repetoire, “She’s the Sun,” a 60s-sounding combination of psychedelic with New Wave , followed by the George Michael tribute, and ending with Dryden’s flagship anthem, “I’m With the Painted people,” a geographically well-situated ode to the Lower East Side’s glam and punk scene.

BodyLab

DJ Eisdriver and DJ Arsenal held the second edition of BodyLab, an industrial/EBM purist’s dance night in the dim backroom of the Parkside Lounge on East Houston where black-clad and boot-shod enthusiasts punished the dancefloor to the sounds of Skinny Puppy, Front 242 and Ministry as well as less-identifiable harsh electronics . Fascinating, yet disturbing music videos from the Cleopatra Records collection flicked silently of a large screen as backdrop visuals to the heavy-duty soundtrack curated by these two rivet-head deejays and late-arriving guest DJ Wendy Blackwidow, late of Philadelphia’s famous Assimilate night. Free giveaways included packaged CDs of techno-electronic music.

Inclement weather and hazardous driving conditions prevented us from attending birthday parties at QXTs for Damien Plague and Krys P. With apologies, New Dark Age extends very belated Happy Birthday greetings to both.

Stimulate

DJ Paradox (right) and admirer


The recurring alternative music party hosted by impresario Xris Smack was held on the eve of MLK Day, Sunday night, Jan. 15 jointly with a NYC-based alternative-lifestyle organization calling itself Fetish Tribe at Manhattan’s Lower East Side club, The Delancey. A Who’s Who of famous deejays from the metropolitan area including Sean Templar, Paradox, Eric Aengel, Michael T, and QXT’s birthday boy Damien Plague enlivened all three floors of this venerable nightclub, where dance spaces were available in the basement and main bar area on the ground floor levels.
For an extra $10, one had access to the third floor indoor garden where Fetish Tribe put on X-rated displays of “suspension” and more on gorgeous and lingerie-clad volunteers, the details of which I will leave to your imagination.
Denizens of NYC’s dark demimonde came in all kinds of transgressive attire and costumes, from old-school punk to bizarre outfits befitting the theme denoted in the event’s subtitle, “Wicked Winter Wasteland.” Notables of the scene, including William Welles, Ashley Bad (in a crème-colored latex body-suit), Athan Maroulis (Spahn Ranch and Noir) and Kai Irina Hahn (The Sedona Effect and Noir) were on hand.
Acclaimed tribute band Disorder packed the basement performance space at around 1 a.m. for a flawless set of Joy Division’s history-making, Post-Punk repertoire. Enthusiasm shown by the mixed audience of goths, punks and plain music-lovers has to be termed “over-the-top,” as lead singer Mike Strollo succeeded in capturing the earnest and anguished vocal style of the tragic Ian Curtis with masterful instrumental accompaniment.

Memento Mori

This last Thursday night of the month event continues to flourish under the auspices of deejays Ana Vice, Valefar Malefic, Mike Stalagmike (Defcon) and Bela Lugosi Alex. The creepily gorgeous décor of Bedlam, the bar at which it is held provides a unique and just right environment decorated with antique anatomical models and medical charts and a massive, mounted moose head. Artificial cobwebs are strewn about and hung from the numerous lamp-shaded wall sconces that provide conducive, dim lighting to the venue. Countless and various colored tea-lights everywhere – on the bar, on tables, lined up along baseboards – add a sense of dark glamour. Tatters of shrouds dangle from the ceiling in the he small, but sufficient, strobe-lit dance floor.
The musical selections vary with each of the deejays and can range from such obscurities as Cold Cave to such standards as Sisters of Mercy. Whether it’s Death in June or Ex-VoTo, attendees at Memento Mori are sure to have their taste in dark music not only broadened, but darkened!
This night we found Ana Vice, one of the original founders, opening the night from her statioin at the deejay booth. Charming and gorgeously attired/groomed Bela Lugosi Alex acted as a sort of host, entertaining guests with friendly conversation while both snapping and posing for photos alongside his better half, meta-beautiful Catgirl Morales. The Catgirl was just back from having been to North Dakota where she had visited to support the indigenous people movement, a cause with which she strongly identifies. To everyone’s delight, Catgirl had brought along her bewitching cousin, Sacramento Samantha, fresh from the West Coast, wide-eyed and enthusiastically touring New York and the East for the first time. Fabulously attired, statuesque Valefar Malefic floated about – preened as always like an androgynous vampire, the very epitome of Goth.
Besides bar seating, Bedlam also provides comfortable, upholstered booths where attendees can give their dance feet a rest and engage in intimate conversation. One on such booth we found DJ Mike Stalagmike entertaining some attentive members of the opposite sex early in the evening. Goth celebrity Aurelio Voltaire was observed huddling and snapping selfies with friends in another booth somewhat later in the evening.

Ward 6

Father Jeff Ward and DJ Patrick Cusack hosted the latest edition of this, the longest running Goth dance night in NYC on the last Saturday of January. Doors opened at 11 p.m. and attendees got the warm welcome by Mandana Banshee. Entry to what has become one of the all-time favorite venues for such events, Windfall, was $10 at the door, or $8 with flyer. The night takes its name from the Chekhov short story about an insane asylum, with a play on the main host’s surname.
By all accounts this was the most heavily attended event in this category at Windfall, drawing such scene luminaries as deejays Arsenal and Ash, William Welles, “Bent Nail Studio” artist CharleSilas Garlette and his significant other, Sirma as well as scene regular “Tragic Doll” Shirley Alvarez accompanied by a beautiful entourage of female family members.
Jackie Rivera had a stand set up where she hawked her crafted, morbid jewelry and accessories under the label “Jackie Hates You.” Pencil artist Bill sat in his usual station making candid sketches of those in attendance who danced before him or stood still long enough to be captured on drawing paper. Mixologists Gerard and Julia kept imbibers satisfied despite the seemingly overwhelming demand. The dance floor was crowded like never seen before owing to the draw of the extraordinarily appealing mix issued forth from the booth. Windfall manager Chris Savo took a moment out from his house duties to pose with Father Jeff for a photo.

New Recording
Peter Murphy
Bare Boned and Sacred

Metropolis Records

This latest Peter Murphy release is a compilation of the somewhat variable setlist presented during the recent “Stripped” tour, complete with audience reactions. The feeling of “live” is amplified and rendered unique by the fact that the “Stripped” tour was predominantly in the acoustic mode. Thus the versions heard on this CD come across as loud, clear and up front, similar to the way it was experienced by front-seat attendees at the concert performances themselves.

The first track is the acclaimed “Cascade,” the consistent opening track during this long “Stripped” tour, which begins with an electronic instrumental riff reminiscent of the dots and dashes of Morse code, onto which Murphy speaks in low mystical tones about “twilight.” Then it takes off into off into an irresistible, rhythmic set of arpeggios and a powerful, melodious song.

The second track, “Secret” was less frequently presented during the tour, heard also on “The Secret Bees of Ninth,” a 6 song EP, and is played with Murphy’s self-accompaniment, strumming on an acoustic guitar plus thje backing of a solo piano. “All Night Long” is performed in a style that all fans will find delightfully familiar, but “Marlene Dietrich’s Favourite Poem” gets a novel and innovative treatment as far as the accompaniment, while the vocals are faithful to the original.

Just as he did on the tour, Murphy pays emotion-laden tribute to David Bowie with “Bewlay Brothers” on the next track. Then the acoustic guitar proves especially apt as accompaniment to “A Strange Kind of Love,” because of the measured pauses between widely spaced lyrical lines.

“The Rose” off the “Lion” album gets a fuller instrumental backing on the following track in keeping with Murphy’s fuller, soaring vocals. The high point for Bauhaus fans on this album, as during the live shows, is the “Bauhaus Medley” of minor key masterpieces that begins with “King Volcano,” runs through “Kingdom’s Coming” and ends up with “Silent Hedges.”

“Never Fall Out” was frequently performed during the tour, but we who attended the late night performance in NYC didn’t get to hear it, so the CD provides an opportunity to enjoy this piece off “Ninth” in stripped-down style with mere guitar strumming accompaniment and some subtle male vocal back-ups.

“Gaslit” off of “Ninth” was performed at virtually every stop on the “Stripped” tour and serves well as the setlist draws toward a beautiful climax, just before “Lion” – also missing from both NY City Winery sets – leads to the final entry on this album that was not part of in the “Stripped” tour setlist,, the languid, mystical, Near Eastern hymn, “Your Face” from the 2002 album, “Dust.”

This album is a must for Peter Murphy/Bauhaus fans. Although many of the titles will already be in their collections, they will hear them sung with his voice now thoroughly mature as never before in – as we say – “close up and personal” versions Close listening will reproduce the experience of witnessing it in intimate proximity to the artist, with just enough instrumentals to highlight his rich vocal style.

Museums

The Whitney Museum of American Art

The first week of February was the last chance to see the mind-bending and dazzling video/light-show exhibit called Dreamlands at the Whitney in NYC’s Meat Packing district. Large format screens showed everything from actual 1950s Pacific nuclear bomb tests to slo-mo images of glittering, costumed characters, to human puppets and psychedelic patterns. Here there were imaginative flashing neon signs and there, rooms full of competing screens with films, slides and colorful images to hypnotize viewers. A sampling of images are shown in the Aquarian edition.

The Metropolitan Museum

Max Beckmann

Self-Portraits of Max Beckman

This venerable mother ship of art had two exhibits of interest to the Goth crowd. Upstairs was a retrospective on Max Beckmann, 20th century artist from Leipzig, whose success in his Weimar Germany was short-circuited by the rise of Nazism, forcing him to emigrate to Amsterdam and then later, New York, where he continued his career as an acclaimed Expressionist painter, a label he thoroughly rejected.

Bird’s Hell – Max Beckman (1938)


When he wasn’t painting introspective self-portraits, he often produced grotesque, sometimes distorted images of his wife Quappi and some seductive women as well as puzzling tableaux of people engaged in casual violence.

Masterworks – Unpacking Fashion

Downstairs in the Anna Wintour Costume Center, the Met put on a display of sixty, chronologically arrayed fashion masterworks, from the 18th Century through the present, with an emphasis of design and materials. What we found fascinating from our particular point of view, was the presence of numerous works with a transgressive, in-you-face attitude. I’d like to see some of these outfits, shown nearby, at the next Goth gala, Endless Night or Dracula’s Ball. Some of the frankly absurd shoe designs reminded me of footwear that might have been featured in fetish mags.

Like to see these at the next Endless Night Vampire Ball

Punk ain’t (comp[letely) dead yet


What everyone’s wearing at the Annual Fetish Ball


Not exactly “sensible footwear”


An absolute “must” for the Anti-Valentine’s Ball

January 2017 New Dark Age

Filed under: Events,Goth Stuff,Live Music,live music,Reviews,Uncategorized — doktorjohn January 17, 2017 @ 8:58 pm

The Godfather of Goth

Peter Murphy at City Winery NY
Dec. 11, 2016

Peter Murphy Sings Bela Lugosi’s Dead


Peter Murphy is overwhelmingly popular, not just with the worldwide Goth community, but with many whose musical puberty occurred during the 80s and early 90s. The first show at the intimate City Winery in lower Manhattan’s West Village sold out immediately upon being announced. Thus a second performance was mandated, even though it meant scheduling it around 10:30 pm on a Sunday night.

This event represented part of the tail end of his “Stripped” tour which began in California in April of this year, crossed the country, then crossed the Atlantic, and drew to a close on the East Coast. “Stripped” refers to the mainly acoustic, minimal electronic sound, provided by Murphy himself and two string instrumentalists/backup vocalists. Make no mistake, though, there was plenty of amplification and digital audio as needed to authenticate the mood and feeling of the cherished selections performed nor was there any lack of his showmanship and stage antics.

As on virtually all previous stops on the tour, PM started off the set with “Cascade,” off the 1995 album of the same name, recognizable by its melodious Morse code-like series of high-pitched, introductory tones that elide into arpeggios which grow into a luscious, percussion-driven melody. A consummate showman, Murphy Strutted about the stage, bowing and waving his stretched out arms like a bird in flight.

Following that, he reached back into the 80s with “All Night Long,” “Indigo Eyes” and “Marlene Dietrich’s Favourite Poem in true acoustic style, seated and strumming his 12-string guitar. He continued the “stripped down” style but strode out from the stage to hover over the front rows as he announced and paid tribute to the late David Bowie with “The Bewlay Brothers.”

PM’s voice showed signs of strain, and his spoken words were decidedly hoarse, but his notes were perfectly steady and on key, and he never held back from bellowing out, full-throated, whenever it was called for. “A Strange Kind of Love” afforded the opportunity for a brief solo by the violin accompanist.

Murphy picked up, first a tambourine, then drumsticks for the three Bauhaus favorites that followed: “King Volcano,” “Kingdom’s Coming” and “Silent Hedges.” He briefly disappeared from the stage, then returned to perform “Gaslit” and the bass-and-drum-heavy cover of Dead Can Dance’s “Severance.”

There was a pause signaling the final encore, the beloved and iconic anthem “Bela Lugosi’s Dead” – rarely performed on this tour. Murphy called for the lights to go down. His face was dramatically lit from below in cinematic horror fashion as he sung the repetitive mantra “undead, undead, undead” to conclude the show and leave the latenight crowd satisfied beyond their expectations.

Titans of Tribute XXVII

The Nimrods cover Green Day

Starland Ballroom hosted a blockbuster event to a sell-out crowd Dec 9 featuring three separate tribute bands covering three true titans of the post-punk/grange era. An additional, and unexpectedly pleasing experience was provided by the opening band, Eli, who performed a set of their original music with skill, style and the gusto associated with the early, pioneering days of the 90s music explosion. ELI (or ELI the Band if you are searching them on social media) is a trio of utterly sincere and committed young adults who have played and written music together since their not-to-distant highschool days, channeling the spirit of grunge into their original compositions with skill and devotion. No matter that the era of grunge peaked shortly before these budding musicians were born! This was their first big venue appearance and they brought the house down.

We got to speak to the youthful members backstage after enjoying their set of eight songs which included only one cover, “She Hates Me,” by Puddle of Mud, during which they introduced the band members to the audience. We learned that the “old man” of the group, 22 year-old Conor Schaar, who played bass and sang most of the vocals, likes to do much of the writing in collaboration with guitarist and sometimes-vocal lead Paul Machado. Drummer Mike Sliker provides the essential rhythms during inventive sessions in which the trio regularly engages. Their story begins with winning acclaim at a school talent show six long years ago. That duration of cooperation and dedication goes a long way toward explaining their tight, highly accomplished performance.

Next up came the Green Day tribute band, the Nimrods who take their name from a 1997 album, slammed enthusiastically through twelve of their recognizable hits from “Brain Stew” to “When I Come Around” to “American Idiot” and more. Vocalist/guitarist Fred Zoeller captured frontman Billie Joe Armstrong’s dark, cynical and frenetic style, and he received professionally polished instrumental accompaniment from three Dans: Dan Esser, Dan Callas lead guitar and Dan DiLiberto on drums.

Nicole Scorsone with The Nimrods

A special treat was had when renowned violinist Nicole Scorsone joined in for “Minority,” “Good Riddance” and “Wake Me Up When September Ends.”.

Following both outstanding performances Lady Picture Show took the stage with their impeccable covers of the cherished Stone Temple Pilots repertoire including “Interstate Love Song,” “Plush” and “Creep.” As far as faithful reproduction of the original sound of STP, I cannot imagine a more authentic experience.

Finally – can I call them headliners? – Nirvana tribute band, Lounge Act came on stage and performed meticulous, loving and faithful tribute versions of the revered Nirvana repertoire. A mosh pit formed and became increasingly enthusiastic throughout their set, which included ”Aneurysm,” “Heart Shaped Box” and the creepy “Rape Me” and “Lithium.” I counted around 12 or 13 songs.

Lounge Act covering Nirvana


Who needs time travel? These guys made it happen!

World Goth

The Berlin Dungeon

Facade of The Berlin Dingeon

No! Kiddies, the Berlin Dungeon is not an S & M club. It’s an expensive tour of a historically educational, slightly creepy attempt at recreating sets and scenarios of medieval “justice” under the Hohenzollern rulers of Medieval Prussia. Actors in period costumes alternately try to scare and inform tour-goers with frightful scenarios and tongue-in-cheek narratives regarding the somewhat deranged secular and ecclesiastical court system, which usually ended up with defendants subjected to devices of torture and execution. You know, “the good old days.”

There are various special effects, walks through mirrored mazes, moments spent in unbearable suspense in pitch-dark chambers, interrupted by terrifying ghastly action; as well as some corny court-room set-ups where tour-goers stand accused and are sentenced to penalties that are escaped at the last minute. The tour ends in an amusement park-like ride that lifts seated riders up before (safely and comfortably) dropping them two stories of height.

Poster Ads for the Berlin Dungeon


It’s all in good fun, but unfortunately, no photos are allowed, so all I can show are images of the outside of the building, but that should be enough to direct you to this semi-interesting, semi-entertaining venue if and when you visit Berlin.

Forever Young

Dubious characters host the Red Party

Under the auspices of DJ Sean Templar and hostess Mandana Banshie , The Red Party held a New Year’s Eve Bash from 1 a.m. until 6 a.m. on January 1, 2017 at the Mercury Lounge, allowing party-goers to spend the actual NYE in traditional celebration with friends or family before heading over to the East Houston digs for an all night Goth event to the dee-jay efforts of DJ Ash, Xris Smack and Matt V Christ.


Necropolis and QXT’s celebration of Damien Hrunka’s 40th birthday were held on January 7, but we were unable to attend and therefore unable to report on either due to a winter storm that discouraged travel by all but the most courageous.

Clash Bar Cover Band Night

Filed under: Events,Live Music,Uncategorized — doktorjohn August 3, 2016 @ 12:59 am

Layout 1

Attack of the Clones

disorder copy
Featuring

Flaming Youths
Disorder
Street Walking Cheetahs
Pulp Flannel

Clash Bar

June 3, 2016

By Doktor John

Clifton NJ

Singer and multi-instrumentalist Christian Dryden hosted a particularly spectacular night of cover band performances at the Clash Bar, a nightspot famous for exceptional entertainment in the punk genre. Most all my readers are familiar with this venue, noteworthy for its well-stocked bar, reasonable pricing (both entry charges and libations), great shows and the friendly supportive management of that patron of the punk arts, Bob Clash.

Openers Pulp Flannel served up a nostalgic mix of 90s grunge rock – Seattle style – with covers of Nirvana, Smashing Pumpkins, Alanis Morrisette, the Cranberries, et al. They took a while to warm up and their performance was somewhat uneven with regards to quality and authenticity. However several songs, female-fronted by the adorable Kitman, really hit the emotional bulls-eye for us aficionados of pre-millenial alternative rock. Kitman also happens to be the name of a famous Hong Kong songstress to whom Pulp Flannel’s vocalist bore a striking resemblance, though decades younger.

Next up, The Street Walking Cheetahs put on an eye-catching as well as musically spot-on rendition of Iggy & the Stooges’ repertoire. Uncanny in his resemblance, both in sound and in visual terms, the lead singer of this Asbury quartet went beyond entertaining to actually transporting us all back to that special era in the early days at the inception of punk.

Disorder takes up the challenges posed in paying tribute to the oeuvre of Joy Division, whose iconic status attains to heights approaching mysticism for having ushered in the prolific era of Post-punk. There are other Joy Division tribute bands, but it’s hard to imagine a more perfect capture of the dark, enigmatic ambience of this archetypal band than that achieved by Disorder. Not only did they pay tribute to Joy Division’s beloved standards like “Dead Souls” and “Love Will Tear Us Apart,” but also they dug deep into their repertoire including such lesser-known gems as “Warsaw” off the “Substance” album. I have followed this combo ever since I adopted Joy Division as my religion, and I have seen the guitarist, John Costa and bassist David Id attain ever higher levels of skill in perfectly reproducing the sound of the original albums and the feel of the few surviving live performances. Vocalist Mike Strollo and percussionist Chris Mele bring a level of obsessive professionalism to the task of reproducing the experience of this tragically short-lived yet monumental band.

The night concluded with the KISS tribute band – The Flaming Youths – in full black & whiteface make-up, and organizer Christian Dryden sat in the esteemed position behind the drum kit for hard rock covers of the infamous 70s & 80s idols. Opening with the typically feel-good “Deuce,” Flaming Youths proceeded through a thirteen-song set and concluded with the emblematic “Rock’n’Roll All Night.” They touched upon and delivered the best of KISS’s mother lode of defiant party anthems, a perfect culmination to a night of tribute to rock music’s ancestry.

Goth 101 with Andi Harriman

Filed under: Events,Goth Stuff,Reviews,Uncategorized — doktorjohn June 28, 2016 @ 7:29 pm

This is the newspaper print version of the report. The searcheable, internet-based version can be found by scrolling down two entries to http://doktorjohn.com/?p=1612

Layout 1

Goth 101 – with Andi Harriman

Filed under: Events,Goth Stuff,Uncategorized — doktorjohn June 15, 2016 @ 4:23 pm

Goth 101:
A History of the Postpunk and Goth Subculture, 1978 – 1992

An Illustrated Lecture with Andi Harriman

Morbid Anatomy Museum
April 27, 2016
Brooklyn, NY

By Doktor John

Goth 101

The Morbid Anatomy Museum hosted a lecture entitled Goth 101 as the latest entry in its series of like-themed presentations by Andi Harriman, musicologist and author of a popular compendium on Postpunk and Goth culture. Ms. Harriman lectured for just under an hour, accompanying her extensive historical account with abundant photographic documentation.

The amount of material proves to be voluminous, but Harriman’s analysis puts forward the thesis that the Punk cultural movement of the 1970s, with its iconoclastic philosophy and raw musical style set the stage for the inevitable rise of the more wide-ranging and varied, but inter-related styles of the early 80s called Postpunk. Out of this conglomerate of musical (and fashion) styles came Goth, a sort of apotheosis of a cultural thread that had run through Western civilization for millennia.

The roots of Goth were traced back to marauding nomad pagan tribes, the Goths and Ostrogoths, then became identified with the architecture that these former barbarians built as they settled in the Europe that they had conquered. Gothic art and architecture, identified with the period of Europe’s Dark Ages became associated with ruins and decay, then served as the back-drop for morbid-themed literature centered on haunted castles, seductive vampires and themes of emotional despair. Early cinema continued feeding the undercurrent of dark glamour, featuring such “vamps” as Theda Bara. Ghastly musical performance art in the mid-20th century fertilized the Postpunk substrate, eventually giving rise to the dark style of music that we now recognize as Gothic Rock.

Along the way, Ms. Harriman provided slides demonstrating concrete graphic examples that connected the thread, from engravings of barbarian invaders to images of Gothic cathedrals, the picturesque ruins of which supply the settings for Gothic novels, later for horror-themed motion pictures and television. Slide images traced the evolution from Screamin’ Jay Hawkins music videos to Alice Cooper, to the Velvet Underground, to Iggy Pop and, most importantly, to Bowie. We learned that the term Gothic Rock was first applied to The Doors, although Bauhaus’s “Bela Lugosi’s Dead” in the movie The Hunger seems to have been its first true inception when it all came together.

At the turn of the decade – the 80s into the 90s – Gothic Rock underwent mutation as electronic and synthetic instrumentation eventually took over, morphing the movement into Industrial Music, while retaining of some of Goth’s dark preoccupations. Thus aficionados of Gothic Rock are to be found today pursuing their musical taste patronizing clubs and music collections that term themselves as “Gothic-Industrial.”

New Dark Age in the April-May Issue of The Aquarian

Filed under: Art Reviews,Events,Goth Stuff,Live Music,Reviews,Uncategorized — doktorjohn May 18, 2016 @ 2:03 pm

Layout 1Layout 1Layout 1Layout 1Layout 1

Procession

Filed under: Events,Goth Stuff,Reviews,Uncategorized — doktorjohn March 15, 2016 @ 7:25 pm

Procession at Home Sweet Home

At least one Sunday night a month can be salvaged by taking a plunge into the dark-dance night calling itself “Procession.” It is held in the depths of a dank, underground basement called Home Sweet Home on Manhattan’s Lower East Side. bartenderThe long bar, manned by a beautiful androgynous bartender, is well enough lit by battered, kitschy and mismatched chandeliers, and livened by a mounted taxidermy specimen of a menacing carnivore, but the dance area is gritty and unselfconsciously punk – a lumpy stone pavement.Joe Hart
DJs Mark Cage Knight and Joe Hart spun out popular pieces from Nick Cave and obscurities like O. Children. Mark, Joe and Joe’s gorgeous girlfriend, Rachel welcomed arrivals – both friends and newcomers, warmly.
Rachel
About 30 late nighters filled the cellar-like space. A melange of genders and sexual persuasions were in attendance. There were 3 bathrooms – one for men, one for women and one “take-your-pick.” Patrons were a mix of jeans/sneakers-clad hipsters and High Goth fashionistas. About ten people were present on the dance floor at any given time. Those elegantly attired in stunning black outfits, sinuously undulating to the rhythms made a splendid sight, dimly seen through the fog, through which the flash of a projector cut to throw disturbing videos on a peeling painted brick wall.club

Memento Mori

Filed under: Events,Goth Stuff,Recorded Music,Reviews — doktorjohn February 26, 2016 @ 8:07 pm

Club Night

Memento Mori

Bedlam
Feb 25 2016
By Doktor John

New York, NY

Bedlam bar

Since sometime late last summer, promoter Ana Vice has been hosting a small group of DJs for a mid-week monthly Goth social and dance night at a uniquely eerily decorated bar, appropriately called Bedlam, in Manhattan’s Alphabet City. The night is called Memento Mori” and it is held one Thursday a month. Bedlam, as is well known, was a notorious old school mental hospital, and this namesake venue lives up to both the medical and the mental reputation of the institution. Antique anatomy charts and gruesome anatomical models adorn the walls. Facsimilies of human bones are distributed at each of the sitting booths where ornamental cobwebs are strewn.Moose head
Among the DJs, Mike Stalagmike of Defcon has a modest, low-key and friendly aspect about him, but Mexican import Bela Lugosi Alex and stunningly androgynous Valefar Malefic go all the way with their looks, each manifesting monumental coiffures and morbidly beautiful male vampire appearance. DJs
The music is decidedly of the darkwave/coldwave dance variety, but there was no place for the conventional classics. No Sisters of Mercy. No Cure or Depeche Mode. Nor were they missed, because these DJs dug deep into the realm of Goth, with selections from such rarely played artists as Xmal Deutschland, Black Ice and Virgin in Veil. A fair number of tracks were unidentifiable, but nonetheless as pleasurable and hypnotic as they were melancholy.ValefarMalefic
Doors opened at 10 pm and about 30 or so patrons were in attendance, most arriving between 11:30 and midnight. All were decked out in blackest of black finery, boots, veils and fishnets as well as high make-up and serene attitude. Not more than a handful of dancers were on the floor at a time. Most attendees stood at the bar and engaged in conversation where a surprisingly festive undercurrent pervaded the generally restrained gathering. A more beautifully attired and groomed crowd is rarely seen, even in the bowels of New York’s deepest, dark demimonde.

Endless Night Anti-Valentine’s Vampire Ball

Filed under: Events,Goth Stuff,Reviews — doktorjohn February 20, 2016 @ 12:14 am

Feb 14, 2016
at Slake

New York, NY

A spectacular event – the last of its kind – was hosted by impresario and fangmaster Fr. Sebastiaan on Sunday, Valentine’s Day, at Slake (formerly Downtime at the Batcave) calling itself the 20th anniversary of the annual “Anti-Valentine’s Vampire Ball” – up to now a regular, recurring event.

Gatekeeper Victor Magnus, prolific writer on various dark subjects, and celebrity co-host greeted the 400 or so revelers who attended the occasion – newcomers as well as habitual, perennial attendees. Impresario Fr. Sebastiaan van Houten has been hosting Goth and vampire-themed events going back to 1997, at which time they were termed “Long Black Veil” nights, and originated at the famous Mother club in Manhattan’s Meat-Packing district. His skill at crafting wearable, vampire-like fangs under the auspices of Sabretooth, the association he founded, placed him at the pinnacle of the metropolitan vampire fan community that had been growing alongside New York’s dark music scene. When Mother closed in 2000, he moved his events, first to Club True, then to Rare, the Bank, Drom and most recently to Jekyll & Hyde. Presently he hosts too many events and club nights – in the U.S. and various cities in Europe – to catalogue for this report.
AntiValentine's

Fr.Sebastiaan and opera diva Ariel De Ment

Belly dancing, striptease and even lyric opera performances provided the entertainment interludes for the evening. Since there is a strict dress code (vampire, steampunk, fetish or all-black), and since many of the more imaginative and exhibitionistic guests far exceed the standard, there were, as always, two costume contests, one for women and one for men. The two winners were awarded tickets to the Vampire Ball in New Orleans this upcoming Halloween. Besides presiding, along with some of his inner circle at the costume judging contests, Fr. Sebastiaan took ample opportunity to address the crowd, warmly expressing appreciation for their attendance and support. He led the audience of devotees in the ritual howl, by which all paid homage to some departed members of the Sabretooth Clan.AntiValentine's2

These ladies performed in cages high above the dance floor

Music was provided throughout the three-story Slake. On the main, ground floor spinning was by DJs Aengel, V Christ and Xris Smack. Up on the third floor was the uncomfortably chilly Red Room where Sean Templar and Jeffo played a different selection of the classic Goth. Skinny Puppy, Joy Division, Depeche Mode and Bowie got ample airing in both dance areas, and alternated with U2, the Psychedelic Furs, Ministry and Dead Can Dance and more.
Fr. Sebastiaan announced that this would be the last ever Anti-Valentine’s Vampire Ball he would host in NYC, having made arrangements to move to San Francisco, where he intends to become involved in similar events. So all good things must eventually come to an end. This last entry in the twenty-year series provided a joyful grand finale for all who attended and participated.

Noir at Arkham in Brooklyn

Filed under: Events,Goth Stuff,Live Music,Uncategorized — doktorjohn January 7, 2016 @ 5:08 pm

Layout 1

Next Page >>>